Wednesday, February 15, 2012

A Florist's Valentine's

For those of us in the floral world, Valentine's Day ends up being more about work than love. I started at a flower shop in Bellingham nine (!) years ago and have worked every year since then except 2005 when I was in Mexico, and last year when I was in Australia. Last year was probably the best Valentine's Day I've ever had: no long work hours, just summer in February, a trip to an animal sanctuary, wine tasting in the beautiful Yarra Valley, then a Melbourne bike ride to a gastropub for dinner where I had my first taste of kangaroo alongside roasted beets and a glass of red wine.

But I digress. This year since I'm in Seattle it was an easy jaunt up to Bellingham to jump in as holiday help and hang out with some of my favorite lady friends and coworkers. It's also really fun to be back among the flowers and the chance to be creative with that medium. Sometimes customers are very specific about what kind of arrangements they want, but a lot of the time we just have free reign within a certain price range. The dialogue at work gets very specific, and I find myself saying things like, "this tropical arrangement could use some leucadendron!" or "seeded eucalyptus with waxflower can go from gardeny to weedy real fast, huh?" or "agonis [dark red foliage] makes everything look cooler!" or "Should I add curly willow? Do you think she's a twigs-with-her-flowers kind of lady?" It's a good feeling to get lost in the details of design.
Now don't get me wrong- I don't love the over-commercialization of Valentine's Day, the crappy chocolate, the expectation to get something for a sweetheart, or feeling lame if you are single. But like any holiday, it can be whatever you make it. And that's partly what I enjoy about working at the flower shop- you get to help customers express something heartfelt, meaningful, and specific to their special some one.

The clientele consists of a huge range of ages, styles, and budgets. One man was a metal-shop teacher at a community college, and wanted to put together a bouquet that would go in a vase with black stones at the bottom, and welded roses he had made. I thought that sounded awesome. Another guy professed to not know anything about flowers, but with a little help picked out amazing red dragon cut orchids and burgundy calla lilies that any one would have loved to receive. A woman wanted to get one big unusual flower for her partner, and got wide-eyed at a huge, fuzzy protea. We backed it with kangaroo paw and a piece of tropical foliage, and it was a totally weird and really cool bouquet, something unique that I personally would enjoy getting. "It looks prehistoric, like a caveman flower! Uh, in a good way, " I said. I really liked helping a 20-year-old skater/punk boy who hand-selected a gorgeous, though surprisingly traditional bouquet of oriental lilies, bells of Ireland, stock, and mini gerber daisies. Another man knew that his girlfriend loved orange asiatic lilies, and wanted a bouquet of those mixed with other flowers. I put something together that was nice, though subdued and very natural. He looked at it sheepishly and said, "I don't know... I just think she'd like more color. But you're the expert, it's fine!" I assured him it wasn't about being an expert, and he was the one who knew her so he should go with his gut. I redid the bouquet with bolder, brighter flowers and he was much happier. This type of floral design is like a social experiment in collaborative art- gauging the customer's opinions and time constraints with their vision and price and still making something beautiful. It's a tiring but rewarding few days of impromptu art with strangers.

The most amusing love advice came from a well-dressed, middle-aged man who came in to order flowers for his wife. "Sometimes I'm still amazed she married me," he said. "When a man meets a woman he likes, he's like 'Wow' and gets totally intimidated. When a woman meets a man, she's like, 'Yeah... I guess I can work with that'." I was cracking up as I wrote up his order.

The most puzzling card message I filled out was from a man sending roses, who proclaimed his love but signed his full name.
"I love you. -Jerry Miller"
I mean, it just seemed a little strange to have to put your last name on a romantic gift. Was she getting love notes from more than one Jerry or what?

The most epic order came from a man who wanted to send flowers to a woman he had recently "messed things up with", and wanted to completely overwhelm the porch of her cute county home with cut flowers and plants. He knew she loved yellow and blue, so we did live daffodils, hydrangea, and flowering jasmine, plus arrangements of sunflowers and lilies with pussy willow. Apparently my boss delivered all this, first setting up everything nicely on the porch before ringing the doorbell. When the woman opened the door she was speechless at first, then nodded slowly. "He listened," she whispered. I don't know anything about those people, but I sort of hope they got back together.

And so it is, every year Valentine's Day is totally different and sort of the same. We worked long days, ate at the shop without sitting down, did multiple coffee runs per day, rocked out to good music, and got the usual delivery of special heart-shaped bagels from the Bagelry.
After the madness was over, I even found some energy to volunteer at the Everyone's Valentine show at the Bellingham Circus Guild. I could not think of a better way to spend my Valentine's Day night than seeing a bunch of old friends and watching hilarious, artful circus performances.

I hope you had a Valentine's Day full of love and silliness, whether or not you are in any kind of romantic relationship. Signing off with a little Rumi wisdom:

Thursday, February 2, 2012

Drawn to the Sea

The other day I was feeling a little out of sorts, and didn't know quite what to do with myself. Then I heard about a bonfire at a city beach, and realized that was exactly what I needed- to be near the sea, to smell the salt, to see lights twinkle over the darkness of Puget Sound, to feel small on the shore of something big, to remember that I am mostly water. And in that love for the sea, to appreciate the contrast of the fire- the dancing shapes, the heat, the glow.

The Sea- by David Whyte

The pull is so strong we will not believe
the drawing tide is meant for us,
I mean the gift, the sea,
the place where all the rivers meet.

Easy to forget,
how the great receiving depth
untamed by what we need
needs only what will flow its way.

Easy to feel so far away
and the body so old
it might not even stand the touch.

But what would that be like
feeling the tide rise
out of the numbness inside
toward the place to which we go
washing over our worries of money,
the illusion of being ahead,
the grief of being behind,
our limbs young
rising from such a depth?

What would that be like
even in this century
driving toward work with the others,
moving down the roads
among the thousands swimming upstream,
as if growing toward arrival,
feeling the currents of the great desire,
carrying time toward tomorrow?

Tomorrow seen today, for itself,
the sea where all the rivers meet, unbound,
unbroken for a thousand miles, the surface
of a great silence, the movement of a moment
left completely to itself, to find ourselves adrift,
safe in our unknowing, our very own,
our great tide, our great receiving, our

wordless, fiery, unspoken,
hardly remembered, gift of true longing.